Ending the year in fine fashion

For the past two weeks, and with one more to go, I've been living an idyllic sort of life. I already think of my life as pretty great given I'm able to make my living making art, but right now it's almost too good to be true. I wake up every morning to things like this:



Anthurium lilies growing in a sheltered garden on the grounds of my apartment.

 

... and this... 

 

Royal Terns roosting on a fishing boat just a few yards from my doorstep.

I eat fresh, sun-ripened fruit (I'm absolutely addicted to papayas)

I walk on the beach, most days I swim, some days I snorkel, every day I do a bit of work. And the end of each day looks something like this:

Kids playing on the beach at sunset.

This 2' x 3' table is my studio:

 

It's not much in terms of square footage but the view is pretty spectacular!

 

 

I'm enjoying life in Grenada - a small, green Caribbean island with archetypal sandy beaches and crystal clear waters. I have the good fortune to be ensconced in an apartment at the end of Grand Anse beach - a 3 km stretch of sand that's hailed as one of the finest beaches in the Caribbean. Sometimes I almost need to pinch myself to be sure I'm not dreaming.

Grenada is home to about 95,000 people, and the ones I have met have been friendly, congenial folks. The island was basically flattened by Hurricane Ivan a few years ago, which destroyed, among other things, the nutmeg trees this place is famous for (they're now re-growing), and a couple of decades prior to that the island experienced internal conflict that saw many lives lost and brought about an unprecedented invasion of U.S. troops. A casual visitor would never know this place has such a troubled past, but the way of time is to keep moving forward, healing old wounds as it goes.

Being here has caused me to reflect on my life as an artist and just how fortunate I am. I work hard but I never fear that I won't have food or shelter, or that I will go without the other basic necessities of life. I have met people who call this place home, who lived through political upheaval that included the violent execution of their prime minister, and whose homes were destroyed by the forces of nature. I have spoken with people whose livelihood depends on tourist dollars, and some of their stories make me sad and ashamed. Through anecdotes and first-hand observation, I have learned and seen just how rude many visitors are, and how poorly some of them treat local folks who are trying to keep body and soul together by selling cold drinks on the beach, or fresh-cooked lunches, or tours of the island, or baskets of spices, or hand-made necklaces. Many of the perpetrators appear to be cruise passengers whose ships make one-day calls in Grenada's beautiful harbour of St. George. I can only suppose they have no empathy for what it's like to really struggle for the next meal, the next rent payment, the next pair of shoes for a child in a place where job options are few. If they did, they would at least be polite about saying "no thank you" and maybe share a few words of conversation instead of pretending they can't hear or see the person in front of them who is offering their services. I have also heard sad stories of cruise ship workers who spend long months at sea, far from their families, working endless, difficult shifts because that's one of the few job options available. Some of them are even indentured to "brokers" who find the cruise ship jobs for them, and they must work off those fees before they can begin to keep any hard-earned money for themselves. I realize I am very lucky to have the choices I do. I know all about working long shifts, but in my case it's a labour of love and the benefits of being self-employed include the opportunity to take time in the dead of the Canadian winter to head south to places like this. I am indeed fortunate and I am continually grateful for my good fortune. I do not, for one moment, take it for granted.

But Grenadians appear to be a cheerful, hardworking, resilient bunch who don't need me to stick up for them. And anyway, I'm sure that some day Kharma will do its thing and the tables will turn. I am of the belief that this is one of the most beautiful places on earth and hopefully one day, in combination with good jobs and a strong economy that isn't dependent on tourism, it could fulfil its potential as paradise! In the mean time, I do my best to be an aware visitor to this place, buying local products from local people (the fresh fruits and vegetables in the St. George market are second to none) including the rent for my apartment which is owned by a Grenadian couple. It's the least I can do in payment for being able to spend time in their beautiful country.

While here, I started and completed my final artwork of 2012: a complicated drawing of a tropical songbird - a Palm Tanager - in a setting of (appropriately enough) palm fronds.

As I struggled through it, I asked myself "what was I thinking?" to I undertake such a daunting project. Maybe I needed to challenge myself, to work hard while enjoying this idyllic place where visitors can bask, oblivious to their good fortune, while locals hustle for their daily wage. At any rate, this drawng represents the culmination of my work to date as of December 31st, 2012.

As the sun goes down on this final day of the year, I bid farewell 2012 while soaking up the beauty of a Grenadian sunset. I welcome 2013 with the challenges I know it will bring and the rewards for which I am hopeful. And I'm truly thankful for the life I have.

The best photos ... almost!

My camera is an invaluable tool in my art practice. Given the focus of my work is animals and birds, a photographic record of my sightings and experiences not only offers solid reference material, it triggers my memories of where I was and what the moment felt like. My firm belief is that the art I produce must be based on my own experiences, and my camera helps me fulfill that personal and professional mandate.

Photographing critters is not without its challenges. As often as not, they're far from cooperative and it's important to have speedy reflexes in order to get a photograph before they fly away or dart into the undergrowth. During my recent travels in Guyana, I experienced a few disappointing instances where, had I been just fractionally faster with my camera, I'd have recorded some pretty special moments.

For instance, a split second before this shot was taken, two red and green macaws were perched perfectly, well lit and at close range, on the trunk of a tree where they were scoping out a nesting site. I came around a bend in a trail while hiking and suddenly there they were! Had I been just a fraction of a second quicker, you would see them in their full glory rather than just the the flash of their feathers as they exited the scene to the left.

There was also this brocket deer who started to cross the road in front of my vehicle, but then thought better of it and disappeared into the underbrush.

Several times I saw agouti (oversized, long-legged relatives of guniea pigs) scamper across my path while I was on foot or in a vehicle. Not once was there time for photograph.

And the crowning "almost" moment was the sighting of a jaguar, yes a jaguar, at the side of the road. It was just a glimpse as the vehicle I was travelling in approached the huge spotted cat from behind. It glanced back over its shoulder and then slipped away into the forest. As we pulled along side, I caught a second glimpse of it disappearing behind a fallen tree into the undergrowth. This sketch is an embellished version of that moment and is what I will always see in my mind's eye:

It's times like this when it comes in handy to be able to put pen and paint to paper and capture, from memory, a moment that either happened too quickly for the camera or was simply too special to even think about doing anything but watch it unfold. My jaguar sighting was both.

Happily, in addition to the "almosts" there were some truly golden photographic moments that I won't reveal here. All I can say is you can expect to see some new art pieces from me soon based on my truly amazing time in Guyana.

For those interested, my camera is a Panasonic Lumix FZ 200 and I love it! It's an adaptable, versatile camera that works perfectly for my purposes.

Meet Teddy

It's my pleasure to introduce you to Teddy:

Have you ever seen a cuter face? Teddy is an adorable baby sloth (a Southern Two-toed Sloth, to be exact). I made his acquaintance on my recent trip to the Iwokrama rainforest in Guyana. He would normally be hanging on tightly to his momma high in the tree canopy but was found about six weeks ago stranded on the ground. Sadly, it appears that he was orphaned when his mother was killed by a harpy eagle - the apex predatory bird of the South American rainforest. How he survived is a mystery but he's definitely one lucky little sloth not only to have survived the attack but to have been found by kindly and knowledgeable humans.

This is Teddy with his human foster parent, Leon Moore:

Leon is a guide based at the Atta Lodge, near where Teddy was found (I'm told another local guide, Ron Allicock, first spotted Teddy). Leon takes visitors on tours of the rainforest that include a precarious man-made walkway suspended from trees a hundred feet above the forest floor, offering a bird's-eye-view of the forest.

The rainforest canopy walkway.

A Yellow-green Grosbeak doing some human watching.

In addition to being a knowledgeable guide, Leon is an avid birdwatcher and nature photographer, and is obviously very devoted to his work. His face lights up when he talks about it, and he can name even the most obscure bird species just from the sounds they make or a fleeting glimpse. He's also very devoted to Teddy. In fact, the other guides jokingly refer to Teddy as "Teddy Moore".

For lack of a sloth momma to hang on to, Teddy makes do with a wooden board covered in thick layers of fabric. His long, sharp, hook-like claws are built for climbing trees and hanging from branches, and would be uncomfortable, to say the least, for a human to tolerate. Plus the goal is to keep him from becoming completely habituated to human contact.

It's not perfect, but under the circumstances Teddy is making it work. He can clamber on top to gaze at the world:

Or when he gets tired...

... he can curl up below for a nap:

Or use it as a "high chair" during meal times:

Teddy is being fed formula by Leon every two hours, supplemented with morsels of fruit and bits of greenery such as lettuce. The hope is that six months from now he can be released into the wild. Of course it's entirely possible that the bond between Teddy and Leon will be strong enough to keep Teddy hanging around (pardon the pun) in the trees that surround the lodge, just like these semi-tame, turkey-sized Black Curacaos who wander the grounds.

The story of Teddy and Leon is just another example of the commitment Iwokrama staff demonstrate for their work. They're passionate about the well being of the rainforest and its inhabitants, dedicated to the management and preservation of this invaluable resource, and enthusiastic about sharing their knowledge with visitors. Plus they're willing and able to give a helpless little forest orphan a second chance at life.

I think Teddy is in very good hands.

For more information about the Iwokrama International Centre for Rainforest Conservation and Development, visit www.iwokrama.org.

Please note that all photos are protected by copyright.

The Best Birthday Ever!

It was my birthday a few days ago. Not particularly remarkable as, apart from a few notable exceptions, I try to take as little notice of the passing of years as possible. This year, however, I happened to be spending my birthday tucked away in the heart of the equatorial rainforests of tropical Guyana. This South American country has had the foresight to preserve vast wildernesses areas that are home to an astonishing assortment of creatures. I can't imagine a much better place to be on a birthday, or on any other day for that matter.

I was staying at the Iwokrama River Lodge - a place that serves as both scientific field station and home base for visitors wishing to explore the surrounding wilderness. Located on the shore of Guyana's largest river, the mighty Essequibo (third largest in South America after the Amazon and Oronoco), the lodge is also the centre of operations for the management of a park comprised of 1,430 square miles of protected wilderness that's one of the most diverse ecosystems on earth. There are absolutely massive old-growth trees and the creatures who call this gem of a place home include everything from humble insects (not to mention some not-so-humble ones!) to the region's apex predator, the magnificent jaguar. To me it's like heaven, or maybe the Garden of Eden, and you can expect to read about it in more than one blog entry as my enthusiasm for this place and my delight in having spent several days there is boundless!

Birds abound in every size, shape and colour imaginable. Some boldly mooch tidbits from lodge guests and staff in the dining hall while others stick to the surrounding forest. They enrich the place with songs, chirps, squawks, and other noises that defy description. Parrots of various species roost in trees, macaws soar overhead, songbirds flit among the shrubs, wading birds hunt along the river shore, swallows and swifts glide above the surface of the river, larger birds tramp the forest floor, and raptors keep watch over it all. It's magical.

A Red Capped Cardinal on a chair in the dining hall.

Dusky Parrotlets perch on a nearby tree.

A Blue Headed Parrot. 

It's always been a personal dream of mine to see a toucan in the wild. There's something about these striking birds that has appealed to me throughout my life and I have painted them on silk several times based on observations of captive birds in zoo settings.

But seeing these active, acrobatic birds in a captive setting does not compare to glimpsing them in the wild. I couldn't have had a better birthday present than to sight this fellow perched high atop a giant tree as I wandered about the grounds with my camera in the early morning light:

Later that day I travelled by boat to a forest camp down river which would be the base for a forest hike and then a night spent sleeping (or trying to) in hammocks suspended in an open-sided shelter. Small grey birds, aptly called Screaming Pihas, abounded in the trees surrounding the camp, shrieking their insanely loud and very distinctive territorial song every few seconds (to see/hear one, check out this YouTube video). As I tested out my hammock I observed a loose flock of Aracari, smaller cousins of the toucan, alight in some nearby trees.


A Black Necked Aracari pauses in a tree at the edge of camp.

A winding 90-minute uphill hike through the forest culminated in a stunning viewpoint at an elevation of about 300 metres. Tropical forest stretched as far as the eye could see. The tops of the tree canopy lay below and the the rough voices of howler monkeys drifted up, as did the sudden screech of a spider monkey. And then... a flash of colour: two red and green macaws streaked gracefully above the treetops. After seeing these magnificent, free-flying birds soaring above the canopy, I will never view a captive macaw the same way. This is how they were meant to live. They are the very embodiment of the importance of forest conservation.

A pair of red and green macaws soar above the treetops.

Back at camp darkness fell suddenly so after a quick dinner the hammocks beckoned. A commotion among the camp workers (there was a group of them living there while working on trail enhancements plus our guide Alex and others) broke out as a coral snake was discovered on the very door-step of one of the shelters.

A deadly coral snake practically underfoot!

These small snakes are almost too beautiful to be real and are highly venomous, but this little fellow was simply redirected back into the forest by our guide Alex with the deft use of a stick, away from possible deadly interactions with humans. Such is the commitment of the people who live and work in this forest. They recognise that even a potentially deadly snake has its place.

Curled up in my mosquito-net enshrouded hammock, lulled by the humming of cicadas, the rustling and squeaking of bats, the peeping of frogs, and the various hoots, squawks and chirps emanating from the surrounding forest, I reflected on what an amazing day it had been - one not soon to be forgotten. Definitely the best birthday ever.

My hammock, prepared with a mosquito net
for the onslaught of nocturnal insects.

For more information about the Iwokrama International Centre for Rainforest Conservation and Development, visit www.iwokrama.org.

Please note that all photos are protected by copyright.

Southerly Migration

This winter I'm fortunate (also grateful, glad, delighted, and a few other adjectives I could use) to have been able to migrate south for a couple of months, just like so many of my favourite feathered art subjects do. I'm now far, far away from the chilly, grey weather of southwestern British Columbia. Instead of being just north of the 49th parallel, I'm about 10 degrees north of the equator, a few miles off the coast of Venezuela, at the very southerly end of the chain of Caribbean islands. I'm in Trinidad!

Trinidad doesn't fit the typical concept most northerners have of what a Caribbean island is like. It's a teeming, bustling, busy place with lots of commerce and industry. Although only 1,864 square miles in size, it has a population of 1.4 million people, most of whom live along a highway corridor that links the capitol city, Port of Spain, with towns and villages situated eastward across the island. Pretty well everyone has a car, so the roads are jammed and the driving culture is, shall I say, "chaotic". Everyone also has at least one cell phone, and there appear to be no laws prohibiting phoning while driving. Yes, there are beaches, but not many and they're a bit isolated and not the safest for swimming due to strong currents. Yes, it's very warm but at this time of year it's still rainy and humid. It has abundant tropical vegetation including a beautiful, foliage-covered mountain range to the north, flat, fertile lands that stretch to the south, and a couple of fascinating swamp areas on both east and west coasts. There's music everywhere: soca, reggae, steel bands practising for the upcoming Carnival season, Christmas "parang" music of Spanish influence, and choirs singing at Sunday church. It's often described as being more like a South American country than a Caribbean one; I think it's a blend of both.

In addition to people, cars, cellphones and music, the other thing Trinidad has lots of is BIRDS! It's positively teeming with them. I understand that it has one of the most dense and varied bird populations in the world, despite human development and habitat loss. In my brief time here so far, living in a fairly urban area, I have seen flocks of orange winged parrots squawking as they flap overhead on their way from the northern mountains to their southern feeding grounds, colourful tanagers flitting among flowering shrubs, raucous kiskadee flycatchers perched on power lines and, at one point, harassing a raptor that paused in a nearby palm tree. Yesterday I glimpsed a furtive wren (not sure what species) on a wall beside my apartment and today I caught sight of a crested oropendola - an acrobatic black bird about the size of a jay that has a couple of flashy yellow tail feathers only visible when in flight. All these and more, without making much of an effort to spot them. It's a bird-watcher's paradise.

I've only been here a couple of days and between jet lag and culture shock, I haven't yet made much use of my camera. However,  given this is not my first visit to this place I have some photos in my file I can share with you to whet your appetite for what's surely to come:


Orange-winged Parrot

Kiskadee Flycatcher



Blue-grey Tanagers
 

My drawing of a Crested Oropendola from a couple of years ago.

I did, however, take one particular photo today of a dear little ground dove who is nesting on the structure that supports the apartment's air conditioning unit. She's hunkered down, safe from marauding cats and snakes, brooding her eggs while her mate brings morsels of food at regular intervals.

As I write this, darkness has fallen. The birds have gone to roost, replaced by bats and whistling frogs. I can hear dogs barking as they now become active in the cooler evening temperatures, and the sound of speeding vehicles. Hopefully dogs and vehicles will avoid one another (dogs here are, by necessity, pretty street-savvy). I look forward to waking up to the abundant birdsong that gets underway just before dawn and to seeing what the day will bring.

Water, Water Everywhere...

Where does the time go?! It's been several weeks since my last blog entry but given the weather here recently, I wouldn't be surprised if large chunks of time have simply been washed away. The west coast of Canada isn't known as the "wet" coast for nothing! It's been raining... and raining... and raining... and the days have become short, and dark, and it is, in a word, gloomy. It's a tough time of year for those of us who yearn for sunshine, or at least yearn not to be forced into rubber boots and raincoats for every trip outdoors. Even my dog is not amused as I wrap her once more in her own rubberized jacket before heading out for our daily walk (it's really for my own convenience because it saves me having a soggy dog lying about the house).

Usually my studio offers a brightly-lit haven where I can cocoon myself away from the darkest days of the outside world. However my current art project has involved some research that's had an anything but positive impact on my dreary state of mind. I'm wrapping up a series of illustrations for a children's book called "Living Water" based on a poem by Jean Ranola-Collier. It's an ode to the importance of cherishing and preserving the Earth's water supply - a precious resource that many people take for granted, particularly those who live in a place where a seemingly endless amount of it cascades relentlessly from the sky for days on end.

I've been working on the project since summer, designing and executing each illustration using dyes on silk. Back when the sun was shining these were the some of the images I was producing:


A healthy ocean ecosystem teeming with colourful sea life.

 

A vibrant, fresh water environment that people can enjoy.

 

But now, during the dark days of November, I have had to delve into some pretty grim research. Descriptions of the unbelievable amounts of garbage and pollution that jeopardize life on Earth have invaded my psyche. I've absorbed stories of communities decimated by lethal toxins in their drinking water. I'm harbouring images of seabirds and turtles poisoned by swallowing plastic or drowned entangled in cast-off nets and fishing line, and of other pathetic creatures coated in thick, deadly crude oil. I've viewed barren ocean floors strewn with trash and nearly devoid of life, polluted rivers where fish float belly-up, and heroic armies of people struggling to clean up vast messes, one piece of garbage - mostly Styrofoam and plastic - at a time. It's tough stuff.

And so these are some the images I've produced recently:



A sea turtle swims in a barren ocean among floating plastic bags and garbage

 

 

A belching factory flanked by ghostly trees feeds a polluted river.

As troubling as the journey of creating some of these images has been, I'm glad to have worked on this project. I have produced a total of ten illustrations and have been challenged to expand the boundaries of my artistic comfort zone and tackle what are, for me, unusual subjects. As those of you who are familiar with my art will know, I rarely depict the human form. However this project led me to produce this:

 

 

Spurring me on is the belief that it's never too soon to raise awareness in children that the candy wrappers and plastic bottles and Styrofoam containers they might carelessly throw away could end up littering a beach or stuck in some animal's gullet, and that we're all responsible for the health of our planet whose life-blood is its water supply. We have a duty to demand that the manufacturers of the products we use are employing sound environmental practises, and that we not turn a blind eye when it comes to the makers of the goods we import from countries across the globe. The glimmer of hope that I'm creating something meaningful helps keep the numbing greyness of November at bay.

And to further lift my spirits, the little flower "garden" of house plants I keep in my kitchen window has chosen this dismal time of year to share the beauty of their blossoms. They need only to be watered regularly to generate this cheerful display. Just like "Living Water" tells us, without water they cannot flourish and would surely die.

Not only do I appreciate the gift of this colourful display, but my old cat Rupert appears to do so as well.

 

Only 118 more days till spring.

 

If you're interested in knowing more about the children's book Living Water, stay tuned to my blog and/or website where updates will be posted as to the publication date (some time in 2013).

 

Note that all images are protected by copyright and may not be used without permission.

Gone to the Dogs

I have once again taken my art on the road and this time my mobile gallery is on site at the largest dog show in Canada! The "Travel the World" dog show takes place at the Abbotsford Tradex every October thanks to the efforts of the Lower Mainland Dog Fanciers. For four days the Tradex becomes a hub of canine activity, with daily competitions, demonstrations and a trade show of products and services for the discerning dog owner. Pet dogs are not allowed to attend, but there are competing and performing dogs in abundance: enormous, tiny and in-between sized, long haired, short haired, silky, coarse and curly coated, runners, diggers, hunters, herders, guarders, athletes, lap sitters and sofa snugglers, all under one roof. I'm displaying a range of my artwork, from lifelike coloured-pencil portraits, to lively silk paintings, plus a selection of silk scarves like the one pictured above that playfully celebrates the diversity of the dog world.  

My silk painting of a frolicking boxer, "Having a Ball at the Beach"

It goes without saying that an event like this provides dog watching opportunities second to none. I have seen sleek Salukis slinking past my booth, and toy like Coton de Tulears (a breed with which I was previously unfamiliar) with their snow-white powder-puff coats, not to mention a Newfoundland dog the size of a pony who strode past in a stately fashion. On one trip to the coffee stand I caught sight of a graceful Afghan hound shimmering like a mirage with its coat of long, gossamer hair, and later I glimpsed what I think was a puli, a stocky little herding dog whose mop-like coat resembles Rastafarian dreadlocks. And of course there are my personal favourites: the collies. I almost walked into a post gawking at a stunning blue merle male headed for the show ring, and had the infinite pleasure of meeting a young female smooth collie (the same breed as my own Riley only with a short coat) who is in training to be a service dog.

My booth couldn't be better situated for entertainment, with a great view of an arena where dogs are performing for show visitors. I have seen dancing dogs, obedient dogs, dogs who could jump really high and others who spin, or roll over repeatedly, or slink along on their bellies on command. Some have pulled carts, some have found their way through wooden "tunnels" in search of mechanical rats, others have clambered over obstacles, and still others have simply romped around and demonstrated their good natured, playful personalities. In the "Meet the Breed" area which surrounds this ring there are plucky representatives of Scotland's terrier clans, lumbering mastiffs whose wagging tails can pack a mighty wallop, a Portugese water dog who is inseparable from the stuffed toy he totes around, and even whippets wearing fleece pyjamas, all acting as ambassadors of their respective breeds and welcoming visitors to learn more about them. Their owners aren't shy about talking about them, and their eyes light up as they describe their dogs quirks, strengths and sometimes less-desirable qualities so that anyone interested in obtaining such a dog will know what both the pleasures and pitfalls of the breed can be.

The one thing every dog has in common is the obvious joy they bring to their humans. I have heard many stories of love, loyalty and faithful companionship, from tales of ageing dachshunds to proud boastings about newly-arrived Bichon Frise puppies. The stories are told with a smile that is sometimes wistful when a departed friend is the topic, but a smile nonetheless. These canines are family. And in the way of modern families, many owners whose dogs are waiting for them at home carry their precious pups' photos on their smartphones, so I've been able to not only hear their stories but see their pictures too!

I've used my time here, when I'm not chatting with visitors, to complete this coloured-pencil portrait of my Riley (aka the Collie Princess). It's been a fine way to not only show off my own wonderful dog but she's also provided a lovely subject with which to demonstrate my skills.

 

In a couple of more days it will all be over. The champions will have been awarded their ribbons and all will head home with their humans to await the next competition. And I'll be packing up my pencils and paintings, and heading back to the studio with visions of dogs of all shapes and sizes dancing in my head.